May 15, 2008
Yet another excerpt from: “The 2nd Scramble for Africa: Further Colonial Adventures on the ‘Dark Continent’”
Posted by ilpessimisti under Pop Music, The Scramble For AfricaGod was punishing them for some transgression or other—of this Peter Gabriel was now certain. A merciless, torrential rain had blanketed the area, unabated, for nearly a fortnight. This made navigating the dense, Burundi woodland especially difficult. They had marched a week solid, buoyed by, what had seemed at the time to be signs of progress, only to find themselves exactly at the spot they had decamped from. Then there was that rain. At times it seemed to be merely indifferent to the misfortunes of the expedition; at others it exhibited what can only be described as consciousness—it knew what they were thinking, their intentions, and it derived some sick pleasure in thwarting them at every turn. Their stores of powder and cannon shot had grown so waterlogged as to be unusable. They were forced to leave it all behind in the jungle. It was only when they stumbled upon these selfsame powder-kegs a week later that they realized they’d been traveling in circles, otherwise they’d be marching blindly still. Now they could only wait, wait for a break in the rain.
Peter Gabriel had a dream—or a waking hallucination—his experience in the Congo had taught him there is no proper difference between the two. Whatever it was, it disturbed him. In it, he found himself transformed—older and wiser, with a long, white beard—a second Noah charged with the task of saving all that was worth saving in the world from the flood that was to come. He built an Ark, one that looked suspiciously like a matte-painted spaceship they’d used as a backdrop at a Genesis concert once. Two of every type of beast on earth boarded the ship. Biko, his beloved Yorkshire terrier-mix was there, as were his goldfish and a long-dead parakeet he’d owned as a boy. Humanity was represented by Kate Bush and himself; he felt strangely at ease about this. The flood itself was pleasant, like the drawing up of a hot bath after a long day out in the garden. The boat rocked gently atop the surface of the water. There was always plenty to eat, and they entertained themselves playing cribbage, games that lasted all night and which, somehow, both sides seemed to win every time.
The rest went according to the Good Book—forty days and forty nights, three birds and the whole bit. The waters receded and they soon found themselves on dry land. Peter Gabriel opened the hatch. But what he saw there was not a new dawning, a clean slate for mankind and another crack at redemption. No—he saw African faces with African smiles, in a colorful array of African garb from every tribe, as far as the eye could see. He was momentarily overjoyed at this sight—having feared all of this was lost to the flood—but that moment was burst instantly when he heard a familiar snickering from the front of the crowd. It was Paul Simon again. And Steve Winwood—inexplicably—was there, admiring some rustic thumb-piano. The American said nothing, only looked at Peter with that wicked grin on his face, and blew a single note from a harmonica. That was the cue, apparently, as Peter was hoisted in the air by the crowd, and carried away helplessly by a river of hands towards certain death…
Peter Gabriel awoke from the dream disoriented, but quickly regained his bearings by the incessant pounding of the rain on his tent. He peered outside. Most of his men were still asleep, save for a few quietly smoking and playing cards. Simon! He cursed the man’s name silently to himself. It was bad enough that there was no place on the continent where he was safe from this man’s grasp, but now the bastard was colonizing his own dreams as well. Peter was seized by one of his now-frequent migraines. He fumbled around through his rucksack for some laudanum but found none—he had used up the last of it in an unsuccessful suicide attempt that, naturally, he had no recollection of. They were really bent over the barrel now, he thought. Here they were, trapped in the jungle with precious little in the way of provisions and even less ammunition, a date with destiny looming on the horizon. Simon was less a man than a force of nature at this point. His army grew at the rate Gabriel’s was dwindling, and was fully stocked with all the latest artillery. This was a man who would dynamite Victoria Falls to rubble if he thought it would shave just one hour off his travel time. And it was this very man who awaited them—exactly where no one could say—this man with whom they were now locked in some dance of death, circling the continent. The throbbing in Peter’s temples worsened, as if the very drums of war were pounding in his head, hastening towards one final, dramatic confrontation that grew more inevitable by the hour…
May 16, 2008 at 7:53 am
The semester is behind me, besides a Film Festival and a Final; and since I’m laid up with a cold, I’m going to get some things off my chest.
Some Questions:
So are you going to have Celia Cruz as David Byrne’s La Malinche? Are you going to have Joe Strummer ousted from jungle paradise by his Rastafarian Boy Friday before setting out to Rock Against Racism in an attempt to win his heart back? Does Robert Palmer go native? Do you have a general disdain for the influence of “World Music” that you must express in the strongest possible terms? Or do you find the tragic rape and plunder of Africa by White Colonialists a handy satirical tool to use against musicians you already dislike? Are you secretly paranoid about racial miscegenation? Is your hypersensitivity to cultural appropriation a manifestation of White Guilt? Am I seeing the world from behind blue eyes (green eyes, blue eyes, gray eyes)? What is white rock, anyway, but a fifty-year-old minstrel show? And finally, having seen the video for “Me and Julio”, I’m curious to know if you’ve read Portnoy’s Complaint.
Some Comments:
Do you describe the same circle twice, or are there two separate events? If you’re being fancy-schmancy metaphorical with your doubling of descriptions, sharpen it a little–I don’t know how, I’m not that kind of clever.
“Some sick pleasure” is too much in common usage. Describe the pleasure.
The difference between a dream and a waking hallucination is that one conjures thoughts of the afterlife and the other of insanity. You need to expand on that statement, it’s too much to toss aside.
“He built an Ark, one that looked suspiciously like a matte-painted spaceship they’d used as a backdrop at a Genesis concert once.” Clean that up. Bad boy!
I don’t like more inevitable and I don’t like more exaggerated.
I have seen simply too much is more British. I feel commas would be welcome at “circumstances, but” and “body, my” and “night, as”.
“An open ended threat of some terrible finishing blow to come” modifies clouds and hyenas better. The dread is of the gazelle or the hunting party, but the clouds are the subject of the sentence.
One could possibly find himself. You’re not being gender neutral.
Sissyphian trials had become Promethean torture. Or, if you feel you need to explain, explain really well. Describe Syssyphus’ agonizing frustration upon seeing the rock settling back into its original position and Prometheus’ horrifying realization that he cannot bear to witness his own (re)generative powers because he knows they will only bring him fresh pain.
Presumably for roots or bugs–sustenance of any kind.
How does this man’s face tell the story of his people? Why not his own suffering? Do something with that.